The Acropolis -symbol of Athenian Democracy dominates the Center of Attica 156 m. above
sea level. Its rock, a natural fortification, allows the approach to the top only from its
western side. At the highest point there is the most significant complex of monuments that
ancient Greek civilisation has show. Approaching the rock of the Acropolis we are
fascinated by this huge natural museum: Parthenon, Erehtheion, the Propylaia, the Temple
of Athena Nike, unique works, creations of talented ancient artists.
The hill's natural fortifications led to it being occupied
since the Neolithic years. After the middle of the 13th Century BC during the Mycenaean
period, the first wall was built, known as the Pelasgian Wall, named after Attica's first
inhabitants. After the decline of the Mycenaean civilisation the Acropolis continued to be
inhabited until around the 7th Century BC. Within the change of the governmental form to
aristocratic, the city was moved to the area of the market or Agora, the name of Acropolis
was established to discern it from the lower city, whereupon it successively started to
change into a place of worship.
The first marble temples were built in the beginning of the 6th Century BC, replacing
the old wooden ones. During the same period the so-called proParthenon was built,
dedicated to the goddess Athena. The artistic works, the ornaments of the Acropolis were
made during the time of Pericles (5th Century BC). Under the supervision of Phidias and
many other specialized artists such as Iktinos and Kallikrates, the Parthenon, the
Propylaia, the Temple of Athena Nike and the Odium were created. The Erehtheion was built
a little later during a period of armistice during the hostilities of the Peloponnesian
War.
The Parthenon remained almost untouched by the years that passed and from the looting
until the period of the Roman Empire's decline. In 334 BC the Great Alexander dedicated
Persian shields and loots from his victory at the Granic River. In 304 BC Demetrius the
Besieger used Parthenon as his base of operations. After the Heroulians destruction of
Parthenon in 267 BC, the Athenians fortified its western entrance with walls and
fortresses.
In the Byzantine years the Parthenon, Erehthaion and Propylaia were changed to
Christian churches but in the period of the Turkish Domination the Acropolis became a
Turkish neighborhood, suffering great damages. The Parthenon was changed to a mosque and
later to a gunpowder magazine. The Propylaia had the same fate. The Erehthaion was
transformed into a harem and Athena Nike's Temple was demolished. In the beginning of the
18th C. Lord Elgin transferred -with the permission of the Sultan- a large number of
unique masterpieces which for centuries had decorated the holy rock. During the Greek
revolution in 1827, a Turkish shell destroyed parts of the Caryatids in the Erehthaion.
The temple was of Ionian style and has three buildings on its eastern, northern and
southern sides. The most famous is the "Arcade of Koron" (Kori means daughter,
virgin, girl) or the "Arcade of the Caryatids" which was used as a platform from
which honorary persons observed the procession and the rituals of the Panathenians. The
Caryatids dominate this arcade which is one of the masterpieces of Greek art. They
comprise six female figured statues used in place of columns. Even if their function is
mainly supportive the Caryatids seem surprisingly light and graceful. One of them has been
transferred to the British Museum and the others are preserved in the Museum of the
Acropolis, while models have been placed on the monument.
On the southern side of the rock, among other monuments, is the Theatre of Dionyssos,
where some of the classical works of Greek tragedy were performed. The theatre was built
around the 5th C. on a site that was formed as Dionyssos' worship place. The original
theatre was made of wood which was replaced with marble in the 4th C. A bit further down
we meet the second theatre of the Acropolis, the Odium of Herodes Atticus, which is
connected to the theatre of Dionyssos through Eumenes' Arcade. The Herodion has been
preserved so that significant theatrical performances and concerts are held here during
the summer. The existence of these two sites in the area of the Acropolis verifies the
dedication of the ancient Greeks to the expression of art. The performances in the
Herodion during the summer months on the same marbles where Aischylos, Sofocles, Euripides
and many other immortal creators "taught" and presented their works,
majestically bind the Greece of today with ancient Greece.